Right, too many games pitch the "realism" of "really like a Hollywood movie", reproducing effects which are really telltale flaws in cameras, microphones, or the theater-experience.
This is in contrast to the realism of "if you were there in person". If you step outside and look towards the sun and see lens-flares, consult an eye-doctor. If you see polyhedral lens-flares or bokeh... consult a roboticist.
I think you have to exaggerate certain things to get them over certain mediums.
The lens flare isn't telling you the sun literally makes polygonal shapes. It's telling you the sun is fucking bright and it's dazzling you, and it's doing that by reference to something we've seen in films shot with cameras.
You can achieve it other ways. HL2 Lost Coast - Valve's HDR tech demo - conveys the same basic fact by delaying the tonemap change. As you walk from the dark area to the bright area, the tonemap stays set for the dark area so your whole screen is washed out in white, until it gradually shifts to normal over about half a second. This is also how your pupils work, of course.
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> If you see polyhedral lens-flares or bokeh... consult a roboticist.
It's not just games. I just saw an episode of a TV show in which two people were sitting in a car, talking to each other.
Whichever one of them was speaking was in focus. The other one was dramatically blurred. This traded back and forth rapidly, because that's how conversations work. It was incredibly bizarre.
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