With Veilguard I really enjoyed the combat systems. It was fun progression and at the end of the game you were literally a demigod on the batlefield - it was super fun, and taking some of the toughest optional challenges was very satisfying. And the character storylines(especially Lace and Emmrich) were very very good and I enjoyed them a lot. The weakest point for me was the big bad villain, who seemed barely competent to do anything at all - but overall I really enjoyed it.
I thought Inquisition was quite enjoyable but clearly showing EA's management structure and the story of the game's development and decision chains. It won GOTYs for a good reason because they really did take a huge swing at a massive world and for the most part they succeeded.
Veilguard was very poorly marketed to appeal to a neoliberal crowd as if the characters and identity was the primary draw rather than the core story themes (Wizards v Templars, Societal Order vs Individual Freedom, the capacity for evil and corruption of either side) and the world which was fascinating. I love me some inclusion and well crafted characters, but the focus on it to the exclusion of all else as a queer person it gave me the same ick as a corporate float at a pride parade.
You're in the minority for Veilguard but Inquisition is their highest selling entry in the series
With Veilguard I really enjoyed the combat systems. It was fun progression and at the end of the game you were literally a demigod on the batlefield - it was super fun, and taking some of the toughest optional challenges was very satisfying. And the character storylines(especially Lace and Emmrich) were very very good and I enjoyed them a lot. The weakest point for me was the big bad villain, who seemed barely competent to do anything at all - but overall I really enjoyed it.
I enjoyed Inquisition and couldn’t stand Veilguard. But I also never played any of the earlier DA games.
I thought Inquisition was quite enjoyable but clearly showing EA's management structure and the story of the game's development and decision chains. It won GOTYs for a good reason because they really did take a huge swing at a massive world and for the most part they succeeded.
Veilguard was very poorly marketed to appeal to a neoliberal crowd as if the characters and identity was the primary draw rather than the core story themes (Wizards v Templars, Societal Order vs Individual Freedom, the capacity for evil and corruption of either side) and the world which was fascinating. I love me some inclusion and well crafted characters, but the focus on it to the exclusion of all else as a queer person it gave me the same ick as a corporate float at a pride parade.