> which began life in the pre-internet era Bulletin Board Systems and moved to internet File Transfer Protocol servers (“topsites”) in the mid- to late-1990s.

Yeah! I was a bit connected in that we'd write "intro" for a BBS and in return we had unlimited download (whereas on many BBSes there were seeder / "leecher" ratio and unless you were providing stuff, you'd be hindered by your leecher ratio).

> The “Scene,” as it is known, is highly illegal in almost every aspect of its operations.

But the "intro" pirates would put in front of cracked games (or sometimes on BBSes to advertize the BBS), later renamed "cracktros" (for that term wasn't used at first) eventually did spawn full-on "demos" and "musicdisk" / diskzines etc. and those weren't illegal.

In my Commodore Amiga days about half of my 5"1/4 floppies (because we were hacking 5"1/4 external drives to our Amiga and pretend to the computer they were the internal 3"1/2 disk so that we could buy shitload of much cheaper 5"1/4 floppies [1]) were demos (from Sanity, Scoopex, State of the Art, Lemon, Razor 1911, etc.).

Piracy definitely had aesthetics to it and I'd say the fully legal demos were, weirdly enough, the biggest manifestation of the aesthetics of piracy.

[1] in the early days I remember that after having something ridiculous like 3 boxes of 10 5"1/4 floppies, compared to 3 boxes of 3"1/2 floppies, you had already fully paid the 5"1/4 external floppy drive reader. I still have that external 5"1/4 drive for the Commodore Amiga just as I still have my chinese pirate SNES copying device. These two are prized possessions of mine ; )