I like some of her books, but I am quite annoyed with kids most of the time coming from poor families with missing father/mother, it's like she couldn't write a book without some tragedy, of course the most famous Emil of Lönneberga and The Six Bullerby Children are from normal families (there is probably reason why these are the most famous and beloved), but already Pippi Longstocking is pretty F-ed up and don't get me started on The Brothers Lionheart, which is glorifying suicide and should be really banned for kids under 15, certainly not appropriate for 9yo, though I read it to my younger kid with appropriate commentary.
Remember that Astrid Lindgren was born in 1907, got pregnant at 18 and had to give up her son to a foster home for the first few years. She grew up in a completely different world, and it's no coincidence that a lot of her stories are basically about consoling traumatized children.
> She grew up in a completely different world,
Also, back then in 1925 infant mortality was probably ~10x worse [0], which adds to how we (today) might underestimate the prevalence of parent-child traumas.
[0] https://data.worldbank.org/indicator/SP.DYN.IMRT.IN?location...
I don't know why you are down voted. Death was so much more present in kids lives back then. Death from diseases and injuries so common. Kids having dead siblings entirely normal.
The writing of Charles Dickens support this thesis strongly!
I am familiar with her background she was sadly later projecting into many/most of her books. I am pretty sure vast majority of Swedish kids was growing back then in complete families without dead mother/father, same as they do nowadays regardless of marriage or divorce status.
Emil of Lönneberga and The Six Bullerby Children are great books, the rest about traumatized kids/orphans not so much as kid books.
You are sure wast majority of kids had both parents same as today after WWI when childbirth was way more dangerous then today?
One of parents being dead was way more commom situation then it is today.
I didn't appreciate Pippi Longstocking fully until I read Stieg Larsson's "Girl with the Dragon Tattoo." Occasionally covers are better than the original song.
It's perhaps no coincidence that the opening theme song of the Fincher (Mara/Craig) version of the movie is an outstanding cover of "The Immigrant Song" by Led Zeppelin.
Kids do think about death. Hiding or avoiding the discussion does nothing. My kids absolutely adored Brothers Lionheart.
Have you read the book or your kids just read it without you knowing what is it about?
This book says basically - no biggie, there is no death, you commit suicide to move to another level to be with your brother, you can't lose him, you have infinite lives in this videogame called Life. And what if I F up the next level? no biggie, you just commit suicide again to be with him, there is no such thing as permanent death/separation from your loved ones, after each death you just move to another level. That's really F up thing to teach small kids, who should know death is permanent.
Yes I have read it. Kids are not retarded.
>>which is glorifying suicide
I've literally re-read it this year again and I couldn't disagree more, like, to a point where I wonder if we even read the same book. That book made me scared of dying when I was a child, and it made me appreciate the finality of death again now that I'm a grown up. There's nothing there that "glorifies" suicide - we could have a meta 2026 conversation about whether it's trying to say that yes, terminally ill people _should_ be able to decide what they want to do with their own lives, but that's not the message the book is going for(imho) - it's about bravery and loyalty even through the darkest of times, and about sacrifice(not suicide!!!) that comes from standing up for what you believe for. I don't personally believe in afterlife, but just as much as I loved the idea of naningalia when I was a child I still love it now - it gives children hope that even in the darkest moments of despair, there is something better waiting for them. The main character literally dies of ilness at the start, being bed bound for a long time without his loving brother and mother who doesn't know how to help him. The fact that he chooses to join Johnatan at the end in the trip to the "next" level of afterlife couldn't be further from glorifying suicide.
I read it this year to kids and the book says basically - no biggie, there is no death, you commit suicide to move to another level to be with your brother, you can't lose him, you have infinite lives in this videogame called Life.
And what if I F up the next level? no biggie, you just commit suicide again to be with him, there is no such thing as death, after each death you just move to another level.
So there is no risk at all you will lose your brother/relative, very F up thing to teach the kids, exactly opposite from what should make them scared of dying which is PERMANENT and there is no next level, where you can be with your family again.
”…the book says basically - no biggie, there is no death“
So does the Bible.
That's such a dishonest read of the book I don't actually know what to say. To me, joining Johnathan at the end is the conclusion of the entire book of love, loyalty and bravery. Nowhere does it say "meh, no biggie just kill yourself". If that's the message you took from it then I strongly encourage you to sit down one evening and read it again. The biggest "proof" of it not being treated lightly is obviously all the inhabitants of the valley of cherries enduring, surviving and fighting against oppression instead of as "just killing themselves" to go to the next level. Even at the end Johnathan makes it sound like it's a rumour and maybe there is something there, but no one knows for sure, same as naningalia was at the beginning - people hope there is a better afterlife, but that's all it is - hope.