We are largely having a reckoning with whether a discipline is the process or the outcome.
Music didn't enter the conservatory so much as the relative interest in various styles have changed over time. I get that the author was implying that by talking about pop music, but what was music doing before Mozart came around?
Every field is having this existential crisis right now, from art to math. Especially in art, the anti-AI hate mostly reduces to arguing that art is the process not the outcome.
The need for research-level math isn't changing (if anything, it may accelerate), but how we do it is. The languages, systems, and process I used to write code has changed a lot since I wrote my first line of BASIC in 1994. Mathematicians, I expect, have not encountered nearly the same amount of disruption in academia. I feel for them.
>? Especially in art, the anti-AI hate mostly reduces to arguing that art is the process not the outcome.
That is not my objection to AI art at all. The value of art for me is that somebody has an idea to express and they're trying to communicate it to me. That's totally absent from AI-generated material. I'm not categorically opposed to AI, but my interest in automatically generated content tailored to indulge my personal taste is absolutely zero.
> somebody has an idea to express and they're trying to communicate it to me
I don't see why that would exclude GenAI - you have an idea, you write a prompt, you get something that's sort of but not quite what you were going for, so you iterate a bit until it's good enough to communicate what you wanted.
I like this framing. I know that AI has it's place and in others it doesn't. I recognize I sound like an AI shill in personal conversations, but I'm a very outcome driven person. I simply want multiple, thousands of outcomes even, and those outcomes all coming together is my process/journey, which is different to a developer or musicians process may view their career.
What happens if the outcomes were obtained instantaneously, and without effort on your part? Would it be more enjoyable for you?
Besides, I don't think you can be driven by thousands of outcomes, by definition, as you can't be in love with thousands of people. Your main motivation must be the thing that unites them. Perhaps you are driven by the process of imagining solutions to problems and/or realizing your ideas.
The outcome I want from art is to feel some emotion in common with the artist. Machines don’t have emotion.
People who write prompts can have emotion. If someone is feeling really sad and they say to a computer "draw me a sad thing" and it draws something really sad and they break down crying, and then they show it to you and you also break down crying, that meets your goals, but it probably isn't what you meant.
The sad thing was produced by the machine, as its idea of something sad. It is not s result of this particular episode of sadness.
Put another way, “draw me something sad” is too vague; a million people can issue the same prompt, and what comes out does not correlate to any specifics of their own experience of sadness.
I think classical and symphonic music are helped in the US by school music programs. It's the best way to have 100 kids practice and perform for a concert. Breaking them into 25 jazz quartets is a lot more complicated.
>the anti-AI hate mostly reduces to arguing that art is the process not the outcome.
The outcome is also bad though, once you scale past static images. That's why consumers, who otherwise are apathetic at scale, are extremely negative against generative AI. at least where they (perceive to) notice it.
AI seems to be the new CGI. If it's invisible nobody cares and you only notice when it's awful.
> Especially in art, the anti-AI hate mostly reduces to arguing that art is the process not the outcome.
It's both. The outcome is bad (boy is it ever bad), and even if it were good I still would rather enjoy art produced by humans.