> AI writing makes me vomit.

I think this was fairly obvious and fair 1 - 2 years ago. Now though, I have to wonder if people who think this with such conviction are falling for the toupee fallacy.

You said it yourself: someone you consider a well known (and presumably accomplished?) author thinks AI is pretty good at writing.

I haven't tried using an AI to write prose, but I use Claude to write code daily and it spits out the worst comments I've ever seen, along with some surprisingly good ones.

Would we not expect AI fiction to be the same? A stream of poor and excellent taste, not particularly original or surprising, samey in hard-to-define ways, but capable of being hammered into a good story by an editor.

> Would we not expect AI fiction to be the same? A stream of poor and excellent taste, not particularly original or surprising, samey in hard-to-define ways, but capable of being hammered into a good story by an editor.

That could also describe many human writers…

AI writing seems to have a quality ceiling, or an ick floor if you prefer to think about it that way around, but is OK compare to bad human writers.

I'm still committed to the career suicide that is refusing to touch generative AI beyond the supped-up auto-correct/-suggest that has replaced the older method in my IDE (replaced, such that if I turn it off I also lose what I had before), but seeing results others around me have pulled out of the hat I have to admit the tech can produce serviceable work if properly fettled by a person afterwards.

I don't think you're committing career suicide. I've seen people get serviceable results out of it, and it always involves reading the code in depth. Reading the code being slower than writing it, they're almost never getting a speed up.

That being said, the better coders I've seen aren't looking for a speed up, they're generally looking for something to bounce ideas off of, or to get a first draft going to defeat writer's block or something (I guess this is technically a speed up, but not the way people mean when they describe slinging tokens around). It's generally to wind up at a better solution at the end than to get a sustained speed up (which seems to only be possible in boilerplate heavy domains, but those were previously slowed down by the boilerplate and are really only coming up to speed with everything else, at significant cost).

I think “taste” is probably the right word. Steve Jobs’ quote about Microsoft is very relevant: “The only problem with Microsoft is they just have no taste. They have absolutely no taste. And I don't mean that in a small way, I mean that in a big way, in the sense that they don't think of original ideas, and they don't bring much culture into their products.”

Replace Microsoft with LLMs and the same quote applies. They have no culture, no connection. The code or comments they produce will not effect any future LLM session and they current have no concern how it will effect future humans except for maximizing engagement for the human at the console today.

Fiction is no different. Unless there’s a feedback loop the LLM just spits out text and will never see it again. The LLM will never meet the readers at book signings, weave in personal details that could only be known for experience.

It’s probably perfect for the write-by-committee style of movies and shows being created today. Just like organic food or locally made products, there are already creators putting Human Intelligence badges on their work and there will probably be a market (though niche) for that until human supremacist laws push it underground.

> Now though, I have to wonder if people who think this with such conviction are falling for the toupee fallacy.

If this is the case it should be quite easy for you to provide examples of excellent AI-fiction.

As for the “well-known author”, Occam’s razor says he (like most “well-known accomplished authors”) doesn’t know what the hell he is talking about.

> If this is the case it should be quite easy for you to provide examples of excellent AI-fiction.

I feel that's the opposite of the toupee fallacy. The lack of labelled excellent AI fiction supports the idea that there's a lot of excellent fiction that was written by largely by AI but nobody was able to identify it as AI, because they were looking for writing that makes them vomit.

Regardless, how about this: https://deadline.com/2026/07/ai-questions-debut-novel-book-f...

There’s plenty of people who use good toupees/wigs and are open about it (or went bald and saved their hair with mystery medicine). I’m sure if models can now produce amazing fiction it wouldn’t take more than few minutes and Claude subscription to prove us doubters wrong.

Maybe that debut novel is amazing, but the fact that we are even discussing whether it’s AI or not tells me it might not be - in any case we can’t read it yet to judge ourselves - just that publishing agents are completely out of touch. If it were truly great I don’t think anyone would care, since hey, good writing is good writing, no matter where it comes from. We would just read it and enjoy.

Similarly models are for fact able to produce music and images that are very difficult to differentiate from meat made, but still… Most people don’t like them. Something seems always a bit off, kinda artificial and boring. Lack of imagination, lack of authenticity, lack of voice.

Taking the lack of ability to identify good AI fiction as evidence that there is good AI fiction is absurd, because it means that there is no evidence which could ever point to there not being good AI fiction. There must be evidence which could contradict a hypothesis for it to be sensible.

Just like how raw sewage tastes good, but people think it tastes bad because of how all of the raw sewage they've tasted tastes bad. But if only people ate more raw sewage, they'd find how much tasty raw sewage is out there!

There would be some cases where the author/prompter would want to show off how good it is. It would even be beneficial for the AI companies

[deleted]

Good at constructing paragraphs, yeah. Generating coherent plotting and character development is still a human skill.

> I think this was fairly obvious and fair 1 - 2 years ago.

And that's mostly for us, developers who use it all the time and maybe for other office employees. Not sure if random person would recognize LLM-isms.

Not even the random HN user detects LLM-isms. You regularly get downvoted for pointing it out. E.g. here: https://news.ycombinator.com/item?id=49087955

There's been multiple 'unslop' contests [1] with a focus on AI 'writing' and I agree with the OP that AI writing makes me want to vomit. It's all hollow, bland writing that has zero zest to it.

[1] https://www.hyperstitionai.com/unslop-results