(2009)ish
And a very American/mainstream-centric view of things. Radio (especially from the view of things in 2009) in more niche/underground circles was and in some regards still is a driving force of music curation and community in other parts of the world like the UK, parts of the EU and beyond.
Does radio have to be on the FM band? Do we count streaming like via YouTube, twitch and other platforms the same as Radio? I'd say yes. And in that regard, the spirit of radio and the format/feel the author recalls still very much exists.
I grew up in the UK in the 80's, and that entire generation received our music taste from BBC Radio 1. Literally the entire population of UK teens listened to that one station for ~20 years (though individuals would listen to different shows - John Peel's famous indie/punk/whatever show in the evenings was very different to the daytime mainstream stuff).
In Australia it was ABC's Triple J - similar story. Everyone tuned in to the annual top 100 tracks of the year.
That reach has not happened since with any media that I'm aware of. It was very unifying - we were all aware of the same songs, even if we didn't like the same songs. I can sing along to Duran Duran even though I was very scathing of them at the time, in part because I was force-fed Duran Duran every day on the radio.
Community radio is still alive and well in Australia too.
RRR and PBS in Melbourne are still excellent and seem to still be a fairly big deal if bumper stickers are anything to go by.
Yep and all available online as well. I listen to PBS every day.
"I grew up in the UK in the 80's, and that entire generation received our music taste from BBC Radio 1."
I didn't. Apart from John Peel, many of the DJs were naff and the station was behind the curve (as the BBC nearly always is). The BBC was faintly ridiculous and banned groups like Runrig (informally because they considered them too Scottish) and songs like Split Enz's "Six Months in a Leaky Boat" (formally, because of the Falklands War). Both of which were inoffensive...
But apart from Peel, the BBC was way behind when it came to metal (except pop/hair metal), hip hop, indy/alternative/shoegaze, rave/trance/techno etc. I think they picked up on the Pixies and grunge but not much else.
Agree about YouTube and Twitch. Whatever personality you want, there's someone that fits it. You can pull up a recent stream or tune in and message them live if they're on. In some ways we're in the golden age of some of what the article was saying was lost, because pretty much anyone with a basic setup and a little bandwidth can start streaming and building an audience/brand. No need to get hired, no need to get a letter like in the story that says you might've been OK in a small town but you're not ready for the big leagues.
IMHO, FM radio stations, broadcasting on government-attributed radio frequencies, are very different - both in nature and in how they feel - from the user of a big corporation's service streaming from someone else's computers.
I have yet to see a streamer match what Click and Clack did on the radio..