> is easy enough: just use RL and punish it for not being creative.
How are you scoring creativity in an unsupervised manner? That seems anything but easy.
> is easy enough: just use RL and punish it for not being creative.
How are you scoring creativity in an unsupervised manner? That seems anything but easy.
Did you try reading the whole comment?
Once creativity is being measured in isolation, getting multiple responses from the model is enough to measure creativity a ton of different ways: wordfreq to identify overused phrases, getting multiple responses for the same prompt and promoting the least similar as preferred for policy optimization, etc.
But that's of limited use for stuff like getting diverse names and such. You want creativity and coherency, and if you just punish the model for using an overused phrase, the first thing it does is strongly learn a new overused phrase (or gibberish).
(Also I don't think you mean unsupervised. You probably mean without humans [since LLMs struggle to judge creativity], but that's not what unsupervised means.)
I did read the the full comment and I did in fact mean exactly what I wrote when I used the term "unsupervised". I think the condescension does nothing but get in the way. Try extending the benefit of the doubt.
> enough to measure creativity a ton of different ways ...
The things you listed seem more like temperature than creativity to me. At this point it occurs to me that this is likely yet another case of highly misleading technical jargon. Suffice to say that truly creative writing requires something entirely different than unusual sentence structure - in fact it doesn't require unusual phrasing at all.
Re unsupervised, it seems the misunderstanding here follows naturally from the previous difference in word meaning. Hopefully you see the difficulty of scoring long form answers for the creativity of the underlying ideas, as well as the impossibility of using a labeled dataset to train on such a criteria.
The first thing I read from you was a sardonic browbeating in response to the exact comment I gave an earnest response.
And even in domains that lean heavily on "usual phrasing", like technical writing, human writing has notably higher perplexity compared to another LLM's outputs: https://www.sciencedirect.com/science/article/abs/pii/S10766...
With such a low baseline for what's unusual, you do need to get the LLM writing unusual phrases relative to its baseline. Otherwise you get things like repeated n-grams and overused constructs ("it's not X it's Y"), and suddenly the output is predictably not perceived as creative by humans even if you were to insert some otherwise creative or novel premise.
Getting the model to break out of that baseline without disrupting the model's ability to follow technical rules, maintain logic and reasoning, etc. is the difficult part.
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Also you're again saying unsupervised then following up with descriptions that sure sound like you're referring to RL and supervised learning respectively this time. (supervised learning can improve creativity by the way
> Getting the model to break out of that baseline without disrupting the model's ability to follow technical rules, maintain logic and reasoning, etc. is the difficult part.
Sure, that is also somewhat challenging and is necessary to get human sounding prose. However doing so is not sufficient to produce "creative" literature by any reasonable metric.
> you're again saying unsupervised then following up with descriptions that sure sound like you're referring to RL and supervised learning respectively this time.
Are you sure it isn't you who is confused about the usage of those terms? I merely suggested that both preparing and making use of labeled data (ie supervised learning) seemed like it would prove quite difficult here. Quoting from wikipedia (https://en.wikipedia.org/wiki/Unsupervised_learning):
> Unsupervised learning is a framework in machine learning where, in contrast to supervised learning, algorithms learn patterns exclusively from unlabeled data.