I would go with, if the song could be reasonably performed live by the human publishing it, and have a similar sound to the recording, then its fine to keep in. The issue I have is songs like this one, where there is no way anyone could even try to perform it
https://open.spotify.com/track/0jGJtiDfEO9syfSL8AshBF?si=b92...
That doesn't really work for electronic music though.
Electronic or not, whether messing with a buchla or producing via vsts and changing knobs around still ends up with a human feel and human choices in a way AI music doesn't.
And what about the line between triggers or samples? I can play some impossible AI music if I sample the impossible parts and just say it's a sample played on a synth or whatever.
It’s not even limited to “electronic” music. Consider that sound engineers work with hundreds of layers on a single track to engineer a very specific sound. Then a pop star adds vocals. Then those vocals are engineered beyond recognition. Sometimes if the vocalist is talented enough they go on tour and then perform with minimal after-effects, and sometimes they lipsync.
It would be a shades of gray situation, but I think of this performance by Skrillex where he is mixing live, and thats what I would expect from a live EDM performance. There should be a line between a EDM artist, and a DJ
https://youtu.be/hb0XLX0b4Y4
Sure but a producer has never needed to be able to be a live artist. Making the music is the only requirement and that totally fine.