> In general, I find your attitude a bit condescending.
Yeah—I can understand why I’d come across as condescending. There’s a balance here—I want to be clear when I say that I have problems with the article, but I don’t want to be hurtful and I don’t want to make criticisms that are not supported by the text.
Rather than defend my comments as “correct” let’s say that I failed in my goals of not coming across as condescending. The reason I want to frame it this way is that similarly, I think the article failed in its goals as coming across (to me) as “look at this neat thing about Japanese”.
It is just kind of the nature of written communication that it takes a lot of editing and polish to make it clear, correct, and concise. I had the good fortune to sign up for Japanese 101 when my professor was in the middle of writing a new Japanese textbook—it was pretty exciting, with the changing lesson plans, the flock of master’s students hanging around, revisions and drafts to teaching materials, and those endless hours of classroom observation. The teachers occasionally gave us a “peek behind the curtain” and explained why they chose to teach things a certain way or another. I’ve rarely gotten that kind of explanation in any class that I’ve taken so I thought it was pretty special.
I don’t expect you to put in the textbook-level of polish into your article but there is a kind of verbosity (the article is long, which makes it kind of hard to respond to because there is just so much to sift through), there are some problems with clarity (the issue of romanization and orthography is mixed in with the conjugation, and maybe it would be better to separate those issues) some problems with correctness (various) and some problems with completeness (the patterns omit some conjugations that I think you don’t know, and I don’t think they follow the pattern).
I have certainly put effort into articles that have gotten brutal negative feedback; I think it was right for me to write the article, and then feel like shit from the feedback, and then maybe retract and revise it. If there is one actual error here, a true error, I think the error is fighting out criticism in the HN comments.
Maybe it helps to explain the purpose of the article. My purpose is to help people who have fallen off originally with traditional approaches by showing an alternative way to build up the intuition. This precise order of layering is what I found most helpful, so that’s why I wrote it in that order. The constraints I’ve chosen (assume the reader has zero knowledge; write things as they sound; give an almost complete system in one evening) are maybe strange. And yes, my style is verbose and you could compress that by a lot if you don’t mind people stumbling. I tried to hand-hold every transition pretty closely.
So, on verbosity: that’s a stylistic choice. Not for everyone. For romanization: point taken and I agree frontloading it would’ve been more elegant. Though I kind of don’t like that it sounds wrong for an unprepared speaker.
For correctness: please provide specific issues. I’ll try to fix them. This is the part I actually care about.
For completeness: yes, some things I put out of scope break the pattern (or rather extend it — the mechanism of concatenation is the same but it actually may be easier to hard-split it by godan/ichidan). I genuinely think that by the point you learn those, you don’t need the scaffolding anyway, and the model has done its job.
I don’t feel like shit from the feedback. This is not my first rodeo. Where I have correctness issues, I would like them pointed out so I can fix. The handwringing about it being a weird way to teach — not so much. I know it’s weird; I wrote it because that’s what worked for me.
And fighting out the criticism in HN comments is half of the fun, isn’t it? :)
Again, the conceit of the article is you can learn almost the entire conjugation system in a single evening with no prior knowledge of the language. I invite you to step back for a moment, to accept that conceit as valid, and then to judge the article based on that conceit. For a serious learner, think of it as a fever dream that helps the concepts click next time you see them “properly”. For a tinkerer, think of it as a spark that gets you curious about the language.