yeah, you're right. That's why she's doing it. But its a weird idea: I like this historical photo, so I'm going to distort in order to add color, which makes it not a historical photo anymore. I guess to her the distortion is so minimal it loses nothing, but to me it loses everything.
Its like saying "I love Da Vinci's art so I'm going to draw a moustache on everyone in the last supper" which you probably wouldn't do if you really loved Da Vinci's art.
I'm firmly against uncontrolled AI use. But as long as the edits are strongly labeled, I have to say I enjoy the effect.
Maybe it's because I'm too young and I've never had B&W content around, but the edited picture allows me to feel the photograph as real, as a place I could have walked around, which I can't really do with the original. I find that effect more valuable than a specific roof being deformed or whatever.
There are some pretty obvious distortions when you closely look at the difference between the historical and AI-corrupted images. But I have to admit, the colorized one has a nice vibe to it, if you don't look too closely it gives a really nice feel for what the moment was actually like, more than the accurate black-and-white.
Which is to say, I think it comes down to what you value most out of historical photos; a forensic record of truth, or general idea of what it was like to live at the time, compared to today.
yeah, you're right. That's why she's doing it. But its a weird idea: I like this historical photo, so I'm going to distort in order to add color, which makes it not a historical photo anymore. I guess to her the distortion is so minimal it loses nothing, but to me it loses everything.
Its like saying "I love Da Vinci's art so I'm going to draw a moustache on everyone in the last supper" which you probably wouldn't do if you really loved Da Vinci's art.
I'm firmly against uncontrolled AI use. But as long as the edits are strongly labeled, I have to say I enjoy the effect.
Maybe it's because I'm too young and I've never had B&W content around, but the edited picture allows me to feel the photograph as real, as a place I could have walked around, which I can't really do with the original. I find that effect more valuable than a specific roof being deformed or whatever.
There are some pretty obvious distortions when you closely look at the difference between the historical and AI-corrupted images. But I have to admit, the colorized one has a nice vibe to it, if you don't look too closely it gives a really nice feel for what the moment was actually like, more than the accurate black-and-white.
Which is to say, I think it comes down to what you value most out of historical photos; a forensic record of truth, or general idea of what it was like to live at the time, compared to today.
> If you really loved Da Vinci's art.
Meh, so what if I only love Da Vinci's art to the degree that it's amusing to adulterate with mustaches?
Huh. I didn't consider that.