Hey, huge thanks for linking that shadertoy example! It made it click for me how you can apply loop and blinn without triangulating.

I'm going to dig into it further, but if I understood at a glance, the triangles are there conceptually, but not as triangles the graphics API sees. You compute your own barycentric coordinates in the pixel shader, which means you can loop over multiple triangles/curves within a single invocation of the shader. Sorry if that should've been obvious, but it's the piece I was missing earlier.

I can now concede most of your original point. This seems like a simpler approach than Slug, if you're willing to supersample. Distance-based anti-aliasing remains an advantage of Slug in my view. I understand the limitations of AAA approaches when compared to supersampling, but it can be a wonderful tradeoff in many situations. If you can't afford many supersamples and the artifacts are rare, it's an easy choice.

But for me personally, I'm writing a 4x supersampled 3D software renderer. I like how the supersampling is simple code that kills two birds with one stone: it anti-aliases triangle edges and the textures mapped within those triangles. I want to add support for vector-graphic textures, so your approach from the shadertoy could fit in very nicely with my current project.

But just one final thought on Slug in case anyone actually makes it this deep in the thread: the paper illustrates 27 cases, but many of those are just illustrating how the edge cases can be handled identically to other cases. The implementation only needs to handle 8 cases, and the code can be simple and branchless because you just use an 8-entry lookup table provided in the paper. You only have to think about all those cases if you're interested in why the lookup table works. It's not as intimidating as it looks. Well, I haven't implemented it, but that's my understanding.