Right, but in the present case we have exactly what you're describing—a story, almost fully written by AI but with some human cherry-picking in the mix. And readers are finding it a phenomenal story and then wanting to vomit retrospectively in learning about the authorship. It just seems patently obvious to me that this is not where the sentiment is going to stay—it will hit the margin, like the people who decide to not own a cell phone, or those who would rather listen to analog audio; there will be a market for it but it will exist at the margin. Eventually, especially for young people, more and more of what they consume will be AI generated and they won't care because it's indistinguishable from human work.
Or, I digress, it will be distinguishable from human work but because it's so much better than anything that a human could have ever created. These AI tools that we have now are as dumb as they will ever be. If we ever reach AGI or superintelligence or whatever—or even if not, even if these tools just advance for 10 more years on their current trajectory—it's easy for me to imagine some scenario where the machines can generate something so perfect to your liking that you just prefer it to anything a human ever would have created, storytelling and all.
You can take the general case where AI can just generate a better movie than a team of humans ever could plausibly generate. After all, AI doesn't have any of the physical constraints of a movie studio—the budget, the logistics of traveling from location to location, the catering, the fact that the crew has to sleep, has to coordinate schedules, all that. AI, with some human involvement or not, could just keep iterating on some script on a laptop overnight until its created an optimized version which is more satisfying to humans than any other human made movie ever created. Or in a narrow case it could create the perfect movie for you, given what it knows about you and your interests. All human movies would look inferior.
For my kids, who I'm sure are going to grow up in a world where this type of art is embedded everywhere—and where the human version is almost certainly going to be worse—I don't think the desperate cries to see the last scrap of human ingenuity will mean anything. All of these people throwing rocks at Waymos and others boycotting companies for generating ads rather than shooting one with a video studio; it's so obviously helpless, desperate and obviously futile in the face of what's coming.
I mourn the future that seems plausible here but I also welcome it as inevitable. The technology is coming, and people are going to have to adapt one way or another.
You're talking about content. Only content can be "perfect" as you say.
When I'm listening to music, looking at art, seeing a play or a short film I want to feel connection to the humans behind it. AI is by definition missing that connection. That's what makes me retrospectively vomit at AI writings like these. That connection requires that the humans behind it are imperfect, the solo can have one or two sloppy notes, but at least it's genuine interaction. We have seen this same yearning for connection with all the "Don't use LLM to comment, use your true style of writing with its flaws" rules.
I'm 100% certain mainstream studios will be producing "perfect" content with AIs just like current mainstream pop stars have 10 ghost writers working on each song to create "perfect" songs. The good stuff will exist in the fringes as always and I'm ok with that as I've already been for years.
And the future may not be as settled as you think it is. Leaders try to sell you their vision of the future by saying it is settled and that things are certain, but that is because they want you to believe that, because if you and the masses believe so, it's more certain for the future to settle the way the leaders want. But you can also actively refuse that future and find a different future that's worth believing in yourself.
The riff comes first, the people come second. One of the nice things about punk and metal is how anti celebrity in a fundamental way both genres are. In histories of the genres, you will usually find such and such band made such and such invention that led to certain new structures being accessible. Of course the social background of the scenes where it emerged is important too but the history is traced first in terms of the riff. Or aka books like glazing a particular rockstars life history are rare, even though there are some "superstars" in metal and punk. The culture is very "only analog is real, digitals fake shit" but idk in some other ways they seem much closer to having not much difficulty accepting a valid musical work regardless of origin.
I don't quite understand what you're getting at with this comment? In metal and punk it's pretty cornerstone of the genre to be authentic, and in metal to value human skills (all the solo parts, fast playing). I've played and listened punk and metal my whole life, but will also enjoy early Lady Gaga, Eminem, Kendrick etc. celebrities because I recognize their authenticity and skills. Sabrina Carpenter and Drake go over my head because of blatant ghost writing and even though they have good tunes, I vomit retrospectively.
So what is AI bringing to the fans of these genres that the fans might value? Because it's not authenticity nor is it skills. What is the point you're trying to make?
I am saying on surface it might seem they should be the staunchest opponents and as I said the culture is "only cassette tape is real otherwise fuck off and die" but simultaneously its also one of the least image/player focused genres in some ways, what is being played is of much higher priority than who in specific is playing it.
Hmm I can think of various examples where the guitarist was changed and people dismiss the new guitarist. Take a look at Megadeth for example - every new solo guitarist gets compared to Marty Friedman even though he hasn't been in the band for 26 years. So a lot of it is player focused.
But your point also stands here, every new guitarist must play the solos as close to the original ones as possible, otherwise it's not the same experience. So on the music level "what" is of much higher priority still. But I wouldn't say it is as black and white as you make it out to be.
Some of course have a very unique style that seems very hard to replicate. Personally I haven't yet found a single band that manages to faithfully execute classic era Slayer. But there are countless bands today who make very good execution of norwegian black metal and swedish death metal.
Edit: And a lot of modern black metal for example doesn't even bother with stating who they are. Member lists are pseudonymous or anonymous. I think this "anti god" culture makes metal different from other genres in some ways.
Ok I'm not as up to date with modern black metal, that pseudonymity seems cool.
There's also upcoming math rock band Angine de Poitrine who are also anonymous https://www.youtube.com/watch?v=0Ssi-9wS1so . In these cases you can argue that the person doesn't matter but in my opinion it still does. There's a person inside that costume, who has made the decision to be anonymous as part of the whole experience. That's part of their expression.
Of course there's then bands like Ghost who have mainstreamed this too - the players wearing the costumes are usually just contract musicians and don't have anything to do with Tobias or the music other than playing for money. Good for them but f that, you are just a robot at that point.
There's anonymity/pseduonymity where we have a entity that does not do any performances and releases cassettes with members acknowledged as "M., K. and J." or even nothing and there is "anonymity/pseudonymity" where a band tries to use that as its own image (eg Kanonenfieber). Obviously I meant more like the former which is legitimately a music first person irrelevant presentation, but modern black metal is a wide spectrum, it has some of the most image conscious crap out there too, if anything I think its probably the most superficial and image focused of the main metal genres. It's just that anonymity hasn't historically been part of death metal culture that much but I feel its actual presentation is quite workman like in many ways.
That's all speculation, and it may prove to be true.
But:
> readers are finding it a phenomenal story
is not true across the board.
I thought to myself, explicitly, and fairly early "This is a fun and thoughtful idea, but the writing is kinda crap" before I realized (maybe a third if the way through) "ah, right, this is genAI. That tracks."
Despite my deep-seated hatred of LLMs, I choose to finish the piece and see if I was being unfair to the actual work ("the output", in the soulless descriptor used by programmers who've never once written a real story or crafted a song).
As a longtime avid reader of fiction, lit nerd, and semi-pro musician, I understand writing and artistry better than the average HN poster, and couldn't help but see the flaws in this.
People who don't have deep knowledge of literature don't catch the tells or flaws as well, but are still understandably angry when they find out they burned their time reading clanker output, and are understandably depressed that they were suckered into it because they haven't spent a lifetime developing a deep understanding of the discipline.
It's possible that genAI approaches will surpass humans in every field we invented.
So far, though, in every field I understand deeply, I see the uncanny mediocrity of the average in every LLM output I have subjected myself to.
Are you an AI? This looks like it was at least ran through an LLM judging by the heaps of em dashes.