yeah it’s definitely a genre in itself.
It’s like there are 2 axes: - cool technique and - cool picture. The second is way more important than the first, which is way painters are still on top of the 2D art world.
Some people can do both though. And i’d say even in these cases the art world tend to dismiss the weird technique as gimmicky.
And the reason 'cool picture' is way more important than 'cool technique' is because the technique is essentially no longer part of the art / picture at completion.
You've just got the sausage, and there's (not necessarily) any indication of how it was made inherent to the sausage - even if the way the sausage is made is cooler than the sausage itself.
(that analogy got tiresome quickly)
Another way to see this is that most obsessed artists live within constraints they created years ago, and their art stands out as it is something never seen before: the best someone has ever done within the constraints they took decades to explore and master.
I'm not sure it's so fitting. You can see hoe this technique was done and how it's different from painting. Or like, a portrait made of pennies, or string and nails, etc, etc.
[dead]