I work with a lot of artists, and selling them on (not totally rejecting) AI has largely been unsuccessful until they both understand the analogies and the specifics of what different tools do.

AI makes you the manager. The models are like GRAs or contract workers, maybe new to their fields but with tireless energy, and you need to be able to instruct them correctly and evaluate their outputs. None of them can do everything, and you'll need to carefully hire the ones you want based on the work you need, which means breaking workflows into batchable parts. If you've managed projects before, you've done this.

Right now, my focus is improving pipelines in composition and arrangement based on an artist's corpus. A lot of them just want to be more productive, and it's a slog to write, then break into parts, etc using modern notation software.