>if you’re able to differentiate between that and lossless even on state of the art equipment under perfect conditions, for the vast majority of songs, you’re an extreme outlier

Misconception: perfect conditions are what lossy codecs are designed for. You're actually more likely to hear compression artifacts under imperfect conditions that break the assumptions of psychoacoustic masking. Examples include strongly distorted frequency response from poor speakers, accidental comb filtering from room reflections, or even merely listening through a home surround sound system that matrix-decodes a stereo signal into additional channels, thus spatially isolating sounds that were assumed to be masked.